How PrimaLuna is Different
What you are about to read is critically important. If you own, or are considering buying a tube amplifier, you need to know the facts about tube life. Your tubes can last many many years armed with this information.
Think of biasing like adjusting on a carburetor on your car. It’s very much the same. Most cars idle around 900 RPM. If the idle is too low, the car can sputter or stall. If the idle is too high, you will waste gas, cause premature engine wear, and early failure.
"Cathode Bias" is commonly used, cheap to make, and often found in guitar amps. But also found in $20,00 high end audio amps. This is what most companies call "Auto Bias", which they CAN, but they don't tell you the whole story. In fact they won't even tell you it's cathode bias unless you ask specifically. Then they get uncomfortable.
Cathode Bias works - but at a big cost.
This is the truth. An amp that has 70 watts when you use "Adjustable Bias" will typically give you 40 watts cathode bias. Most of the power goes up in heat through a single huge resistor.
Most cathode bias amps run the tubes very hard. Real hard. They need to so they can squeeze out the power. That means short life and failures via "shorts". They will say to you that they run the tubes "Within the maximum ratings" for that tube. This is like saying your car usually idles at 900 RPM, the redline is 6500 RPM, so it's okay to set the idle at 5500 RPM. It's below redline, but would you do it? What would happen to fuel costs (tube life) and engine failure (tube shorts) if someone did that?
And they won't tell you how hard they run the tubes. Ask them for the plate and screen voltages, and how the tubes idle. They don't want you to know. And they won't tell you it's "proprietary" which is silly. But PrimaLuna will because we run our tubes so easy you may never change them.
"Adjustable Bias" is a manual bias adjustment for each tube or each set of tubes. If the amplifier has a bias adjustment for each tube, then a matched set is not required (though still desireable). If there is one bias adjustment for each pair, you buy two so you have a matched pair. One adjustment for four tubes, you need a matched quad. This is expensive and a hassle.
But even if you buy matched sets, a new set of problems arise:
Tubes age: You must use a meter, or a built in LED, to check bias every six months.
Tubes are not linear: As you raise volume, they do not stay "matched". Distortion increases and performance suffers in every way.
There had to be a better way, and our engineers in Holland solved the problem.
Real Auto Bias requires a level of engineering that is very advanced. The costs to develop and build are very high. As far as we know, there are only three companies that have a real “Auto Bias”. The first was PrimaLuna, which introduced it in 2000. The other is Mystere, a sister company to PrimaLuna. The third is VAC (Valve Amplification Company), who offers it only on their Statement 450 IQ model, selling for $112,000 a pair.
PrimaLuna Adaptive AutoBias.
How We Did It: There are several "pickup points" that constantly monitor the temperature, voltage and audio signal of the individual power tubes. That data is fed to an active circuitry that determines the correct bias for each one, adapting instantly and continuously to the demand for power and all the other changing variables. This means the tubes always perform where they are most effective, resulting in the lowest possible distortion. It's an ongoing, seamless process done in real-time.
Our newest Adaptive AutoBias systems in ProLogue Premium and DiaLogue Premium have a new feature. We figured, since we are monitoring the tubes, we will let you know when a tube needs replacing with a red LED in front of each power tube. No guessing what has happened. When a tube fails on some amps, you will blow a fuse or even have to solder in a new resistor. Our latest offerings are fully self protecting. The amp goes into protection until you change the faulty tube. NOBODY ELSE HAS THIS.
Shown below is the Adaptive AutoBias board installed in a PrimaLuna ProLogue One.
Adaptive AutoBias is passive: It is NOT in the signal path. Period. There are only benefits in tube life and improved sound.
Adaptive AutoBias lowers distortion and improves sound:
The audible advantages of the Adaptive AutoBias were far greater than we had anticipated. We foresaw a slight improvement in power efficiency and distortion levels, but the gains exceeded our expectations. Transparency over the entire frequency spectrum improved significantly, even in the bass region where qualities such as power, authority and control surpassed what we heard in amplifiers of much greater power. The amplifier sounds quicker and more responsive but with unexpected power reserves far beyond its rating.
Distortion levels plummeted fifty percent, adding incredible authenticity to vocals and instruments and eliminating harshness when the amp was pushed hard. Tube aging and tube replacing are no longer factors requiring tweaks and adjustments; overall, tube life is increased and the number of tube failures dropped significantly.
To get more power from an amp, you must run the tubes harder. It's simple math. Put your hand over a PrimaLuna amp and it’s not nearly as hot as you might expect. We’ve told customers that this will equate to longer life from wearing out (loss of emissions) and shorts. But we didn’t know how much.
In May of 2014, something interesting happened. . .
A customer named Les S. from Southern California bought a whole PrimaLuna system, including a preamp and monoblock power amps. A friend told him equipment sounds better if left on 24 hours a day. Les left his system on continuously for six months, and then called us to see if it was okay. We told him it was not. Six months with the amps on 24 hours a day is over 4600 hours. Our manual states that power tubes are typically good for 2500-3000 hours.
We shipped Les a new set of power tubes, since his tubes were either worn out or near it, and told him that we would test his old tubes to see if there was anything left to salvage.
When we got back his old tubes we were shocked. We had the original measurements, and after over 4600 hours, the tubes all tested at 90% of new! This is conclusive proof of our advanced engineering working to make PrimaLuna a product you can use every day.
If you don't know about the do's and don'ts of using tubes with solid state, we can make it simple for you: You can include a tube component into virtually any system, into any position, with no limitations. There is only one area that you need to keep in mind. Running a tube preamp into the small handful of the solid state or tube amplifiers that have an input impedance that falls outside the norm. We're talking about maybe 1% of the amps out there.
Don't get stressed. This is easy stuff. All you have to do is look at the owner's manual or spec sheet on your amp and you will see something that says "Input impedance".
If you are adding a tube preamp and hooking it up to an amplifier, the input impedance of the amp should, in general terms, be ten times (or more) the output impedance of the preamp. If it isn’t 10X, or maybe it’s close, you may still get incredible performance.
The DiaLogue Premium Preamplifier has an output impedance of 256 ohms, so it will mate with virtually any amplifier on the market we are aware of. The ProLogue Premium Preamplifier has an output impedance of 2800 ohms. It will be compatible with 99% of the amplifiers we know of, but there are a few amps that fall out of the norm. For the ProLogue Premium, it would be best to use amplifiers with an input impedance of 28K ohms or higher. However, we do have several reports of customers using amps with an input impedance of 25k ohms and having great results.
Most tube amplifiers have an input impedance of at least 100K Ohms, so they are compatible with most any tube preamp. Most solid state amps have an input impedance of 50K ohms, so the output impedance of the preamp should be 5,000 ohms or less. A few amps that have been made over the years that have an input impedance that is lower than normal. There are a couple models of Pass Labs amplifiers, specifically the older Aleph models. You should refer to the owner’s manual for the amplifier you own.
There it is. The mystery solved. All you need to do is remember the 10X rule. Input impedance of the amp should be roughly 10X higher than the output impedance of the preamp.
Investment grade. Is there really such a thing in high end audio? PrimaLuna thinks so. But then, PrimaLuna isn’t just any brand. Follow us for a moment.
Look back at the great vacuum tube brands of the 50’s and 60’s. Virtually all of them made by hand with point to point wiring are not just working today, but selling for ten or even twenty times what they sold for new. Products made this way last forever, while many products made with printed circuit boards end up being forgotten about. The legendary Marantz 7C all tube pre-amp was made that way. Along with its brother, the solid state 7T made with printed circuit boards, they both sold for $264 in 1967. Today a nice 7C can trade for $6,000 on the used market while the 7T might fetch $600.
But is it a stretch to compare PrimaLuna to these historic products? No. And the proof is here.
Look at retained value. Nothing compares to PrimaLuna for resale, and lately, for appreciation. Take the PrimaLuna ProLogue One, our humble integrated amp that started it all back in 2004. Its original retail was $1195. Today they are going up in value towards $1000. That is, if you can find one to buy. In fact people are calling the ProLogue One “The Marantz 8B of our time”.
Try to find a used PrimaLuna for sale. As of the day of this writing, we found only one PrimaLuna ProLogue Five power amplifier on the used market. And the seller was asking a pretty healthy price for it. One used PrimaLuna, out of all the units sold over the last ten years. In the world of investing they call it buy and hold. At PrimaLuna we call it satisfied customers off the merry-go-round.
If you don’t know how we make music, it’s because you haven’t owned one. Look inside our DiaLogue Premium and see how its hand made with exotic silver-plated Swiss wiring. Admire costly SCR tin foil capacitors from France. Marvel at audiophile-grade Takman resistors and Alps Blue Velvet volume controls from Japan. Other companies don’t talk about this because they simply don’t do it.
And the sound? Every PrimaLuna, since day one, has been a musical masterpiece. Read the reviews.
When picking out an amplifier, there are a couple of things to consider other than the sound, which is, of course, a given. Equally important are the amp's reliability and the power it produces – can it drive your speakers? Seasoned tube aficionados already know that fifteen solid watts from a well-designed tube amp is quite a bit of power.
The design team at PrimaLuna faced a formidable challenge: How to match (or exceed) the sonic signature of its integrated and stereo amps, in a set of monoblock amplifiers with twice the power. This was no small feat because the stereo amps possessed a natural and highly engaging midrange, outstanding soundstage, extended and articulate bass and highs, and a musicality reminiscent of live performances. As many designers can attest, it’s quite easy to take a step backwards rather than forwards when creating a more powerful amplifier.
This is where the magic happens... the SuperTubeClock™ replaces the solid state oscillator normally found in a CD player's digital clocking device with a mini triode vacuum tube. By using a tube, we have significantly lowered the amount of jitter and noise, resulting in superior detail retreival. This in turn yields superior detail and dynamics from top to bottom, and improved overrall musicality.